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Here are all the paintings of DOLCI, Carlo 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 6414 |
 |
Magdalene df |
1660-70
Oil on canvas, 73 x 56 cm
Galleria Palatina (Palazzo Pitti), Florence |
| 6410 |
 |
Portrait of Ainolfo de Bardi |
1632
Oil on canvas, 149,5 x 119 cm
Galleria Palatina (Palazzo Pitti), Florence |
| 6415 |
 |
Salome with the Head of St John the Baptist dfg |
1665-70
Oil on canvas, 122,6 x 96,5 cm
Royal Collection, Windsor |
| 6416 |
 |
Self-Portrait dgd |
1674
Oil on canvas
Galleria degli Uffizi, Florence |
| 6411 |
 |
St Catherine Reading a Book sd |
Oil on canvas
Residenzgalerie, Salzburg |
| 6412 |
 |
St Cecilia at the Organ dfg |
1671
Oil on canvas, 96,5 x 81 cm
Gemäldegalerie, Dresden |
| 6413 |
 |
The Guardian Angel dfg |
1675
Oil on canvas
Museum of the Cathedral, Prato |
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| DOLCI, Carlo
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| Italian Baroque Era Painter, 1616-ca.1686
was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci.His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano,
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